As a teenager did you ever search through books for the “good
parts”? Now a group in Fairfax [Va.] - Parents
Against Bad Books in Schools - brings those to you on the web
without even having to search [although some searching might be
involved if you were to actually try to find them in the books]. See
Censorship: Fairfax Parents Group Publicizes the
'Good Parts'
[including the links].
Then, if you are of a mind, send in your own list of “good
parts,” with their complete location in the books you read and I
will consider putting some of them on my web site. Alternatively,
rate the books which are mentioned by PABBIS and I will post your
votes on my web site with full attribution.
George Loper
george@loper.rog
www.loper.org/~george/
Calvin Reid (“Conversation with Calvin Reid on Electronic
Publishing,” Archipelago Vol. 4, No. 4) writes to us
about two comics artists:
“Jessica Abel’s comics offer a subtle anthropology of her
own generation of socially audacious, mildly bohemian post-feminists.
She uses comics like a tool, observing, documenting, examining the
social dynamics of a free floating crowd of young, urban, pleasure
seeking bar hoppers. Her writing, in combination with her crisp,
precise, stylishly assured drawings, chronicle the shifting
relationships between the young and unfocused; men and women who aren’t
necessarily what they would like to be and haven’t quite figured out
how to become it. She’s a reporter of sorts, and emotional veracity is
her beat.
“Her deft accumulation of the social details of these
relationships, friendships and dubious one-night stands, can be seen as
artful dispatches from a thoughtful correspondent on contemporary
manners.”
Jessica Abel, ARTBABE
Comics: SOUNDTRACK: Short
Stories 1989-1996. MIRROR WINDOW:
an Artbabe Collection
ARTBABE
Vol. 2, Nos. 1, 2, 3, 4. (Fantagraphics)
JESSICA ABEL, INTREPID GIRL REPORTER: “20
page photocopied digest-size minicomic collecting various journalistic
comic strips from other publications.” ESCUADRON
RESCATE/ASI PASAN LOS DIAS: “Adventure story
about the amateur Rescue Squadron that lives on my block, backed with a
melancholy tale of being an ex-pat in Mexico by Matt Madden. (Highwater
Books P.O.Box 1956
Cambridge, MA 02238)
“Eyes Only” : Three Panels by Jessica Abel
(click on image to see it full size.)
©Jessica Abel
“Matt Madden’s comics can also recreate a vivid sense of a
generation lingering in a pleasant social limbo, suspended eternally
between renting and owning. His characters are young, sporadically
ambitious and heavily attracted to bars, loud bands and minimum wage
jobs. But Madden is a formalist trickster disguised a quirky realist. He
revels in the idiosyncrasies of comics styles past and present; in the
syntax of words and pictures seamlessly combined. His comics generate
surprising perspectives in apparently naturalistic stories that can
focus on a human guinea pig-for-money or, as in his forthcoming graphic
novel ODDS OFF, a dislocated, disaffected
foreign-born graduate student who finds herself lost in a battle between
language and sub-language. His drawings are simple, engaging the eye and
the mind with expert, telling social details. But they are also
strategically and semiotically elastic, offering both a sense of irony,
a deep poignancy and a playful rearrangement of the elements of comics
style.”
Matt Madden www.mattmadden.com
ODDS OFF (Highwater Books)
“Exercises in Style”: “a work in progress based on the work of
the same title by the French author Raymond Queneau, a member of the
experimental literary group Oulipo.” On the Web in English.
Exercises de style version français
Esercize di Stile versioni italiano
Matt Madden : Three Panels from “Exercises in Style”
(click on image to see it full size.)
©Matt Madden
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