1901: Pocket Messages
Paris – The “pocket coherer” is said to be a wonder in its
ways. One carries it about with him in his clothing – it is not
much bigger than a watch – and is enabled by its means to receive
wireless telegraphic messages wherever he may happen to be. Wireless
telegraphy is in its infancy as yet. Within a few years it is
expected to develop marvels, rendering it practicable for a business
man to connect his office with other offices, business
establishments, and even private houses all over the city.
The International Herald Tribune
“In Our Pages: 100, 75, and 50 Years Ago”
15 May 2001
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Friends of Archipelago, themselves distinguished writers,
suggest books we might want to read:
John Casey (SPARTINA,
winner of the National Book Award; AMERICAN ROMANCE;
TESTIMONY AND DEMEANOR; THE HALF-LIFE OF HAPPINESS; Contributing
Editor of Archipelago):
“Negative to positive:
“René Weiss, YELLOW CROSS:THE STORY OF THE LAST
CATHARS 1290-1329: what a slog! But it
reminded me how much I loved MONTAILLOU: PROMISED LAND OF
ERROR, by Emmanuel LeRoy Ladurie, which tells much the same story
more swiftly, elliptically and enchantingly. Many of the Cathars were
killed during the XIIIth century but some more
remote groups survived, the village of Montaillou for one. The basis of
Leroy Ladurie’s book is the surviving text of a decade-long
inquisition by a bishop who later became Pope. No torture to extract
confessions(some convicted heretics were burned, some got jail terms),
but the interrogations went on for so long and were so extensive that
the prisoners and witnesses covered every aspect of their lives, not
just their beliefs but their jobs, love affairs, travels – how it felt
to be a shepherd, a priest, a noblewoman in the Middle Ages. How
extraordinary to hear voices that spoke Occitan, which was then
translated into Latin, then into French, and now English – still
alive.” René Weiss, YELLOW CROSS: THE STORY
OF THE LAST CATHARS 1290-1329 (Knopf,
2001). Emmanuel LeRoy Ladurie, MONTAILLOU: PROMISED
LAND OF ERROR tr. Barbara Bray (George Braziller, 1978;
Vintage p.b., 1979)
“I’m a fan of Evan S. Connell’s, especially his novel MRS.
BRIDGE and his biography of Custer, SON OF THE
MORNING STAR. DEUS LO VULT is an historical
novel about the Crusades. It is told by a French crusader whose forbears
were also crusaders, so family lore and chronicles allow him to be both
a first-person narrator and an omniscient one. Neat trick. It is a
skillful gallop through a couple of centuries, but I was reminded how
much more I like Stephen Runciman’s HISTORY OF THE
CRUSADES ( three vols.). Runciman is well known as an historian
but he also has the grace to narrate as well as Parkman or Prescott. He
does the overview, the battle by battle, the power struggles, the
culture shock (and more importantly the culture shift), as well as some
small scenes that are like raised ghosts.” Evan S. Connell Jr., MRS.
BRIDGE (North Point, 1969; Picador, 1989); SON
OF THE MORNING STAR (North Point, 1984); DEUS
LO VULT (Counterpoint, 2001). Stephen Runciman, HISTORY OF THE CRUSADES,
Vols. I- III (Cambridge University Press, 1955-62).
“Wladyslaw Szpilman’s obituary (q.v.) gives a good introduction
to this memoir. Szpilman was a well known Polish pianist and composer.
Also a Jew. How he managed to survive from 1939 to
1945 in Warsaw is a riveting and horrifying story.
THE PAINTED BIRD by Jerzy Kosinski and WARTIME
LIES by Louis Begley are both fascinating fictions that deal with
the same period but are about heroes who are children who can only guess
part of the truth ; the authors work indirectly through them. Szpilman’s
truth is unguarded. Because he was a grown man, and perhaps because he
had a fully realized sensibility as a composer and pianist, Szpilman is
able to tell not only his own story but record the lives and deaths of
others. He does this with a clear, considered voice that trusts the
reader to feel what should be felt.” Wladyslaw Szpilman,
THE PIANIST: The Extraordinary True
Story of One Man's Survival in Warsaw, 1939-1945 tr. Bell (St. Martins,
1999; Victor Gollanz, 1999; PicadorUSA p.b., 2000). Obituary, The
Independent . Jerzy Kosinski, THE PAINTED BIRD
(Modern Library, 1970). Louis Begley, WARTIME LIES
(Knopf, 1991; Ivy Books p.b., 1992).
George Garrett
(THE DEATH OF THE FOX; ENTERED FROM THE SUN; THE SUCCESSION; DO, LORD,
REMEMBER ME; THE KING OF BABYLON SHALL NOT COME AGAINST YOU ; WHISTLING
IN THE DARK, et alia):
“Recently I (more or less) have recovered from an illness that
created vision problems and rendered me unable to read anything for
about six months. It’s glory to be able to read again, but right away
the question was – what to read, now that I can? A regime of
masterpieces, the ones I was always going to get around to someday, made
some sense, but seemed too much like a . . . well, an assignment. Why
not read frivolously, impulsively? After all, in the wake of serious
illness, it seems a little late to begin a genuinely serious program of
self-improvement.
“Still unable to go out to browse or shop, I was at the mercy of
book reviews and so I read one in The Washington Post by Carolyn
See, who’s a good and regular reviewer, and ordered, sight unseen, a
work of fiction, ANGELICA’S GROTTO, by Russell
Hoban. Though I haven’t kept up with Hoban’s work, and there is a
lot of it, I had deeply enjoyed and admired (and here recommend) the
tour de force RIDLEY WALKER, many years ago.
“I opened GROTTO and read it straight
through, front to back. It proved to be good and serious fun and
presents a lively picture, and I think an accurate one, of London here
and now. Hoban, an American, has lived in that city for years. GROTTO
is a fine novel on its own terms, but also seems oddly relevant in a
number of ways. For one thing, the protagonist, Harold, is exactly the
same age I am. He’s 72, a geezer, definitely
geriatric. For good reasons, you just don’t get many books these days
featuring geezers. And Harold is not much better off than a lot of us.
Truth is, and emerges, Harold has a string of ailments, a regular rosary
of dread diseases and conditions, that make him a real challenge to the
hard-pressed British National Health Service. Throughout the deftly
plotted story he is going into or coming out of his neighborhood
Casualty, which is what the Brits call the Emergency Room. His list of
drugs and medicines on hand easily dwarfs my own cache of pill bottles.
“I take some genuine comfort in Hoban’s ability to tell a lively
tale about a geezer. Harold somehow or other manages to carry on a very
busy, interesting and often troubling life, including a complicated,
sex-driven, crazy love affair with a very dangerous and gifted young
woman. He is a failed painter who has earned a modest, but enviable
reputation as an art critic. He is working on a book about the complex
relationship of art and pornography; and his interest is larger – the
give and take of high art and pop culture (including pornography).
“Meanwhile, Harold is about as horny as man or beast, at any age,
can be. More or less impotent, the old guy still has a profound and
powerful sex drive. This is the first piece of fiction – except for
Philip Roth’s THE HUMAN STAIN – I have yet
encountered that deals directly and seriously (though in a highly comic
context) with the sexual feelings, habits and appetites of the elderly.
In that sense, what Hoban has done here has been to expose the reality
behind the smokescreen of jokes and winks and elbow nudges with which we
preserve our little secret, that old-timers are as horny or even hornier
than teenagers. They are swept away by all the same crazy chemicals –
a last call before the body bids us, one and all, a thieves’ farewell.
“Hoban is able to tell this strong and funny story in a wonderfully
transparent and accessible (though uncompromising) prose, able to make
you care about his characters without false sentiments or sympathy. It
is as excellent a novel as I have found out there so far, worth waiting
half a year for. Because it is published by a small house, you might
miss it. I’m pleased to recommend it strongly.” Russell Hoban, RIDLEY
WALKER (Summit, 1980; Jonathan Cape, 1980; Indiana University
Press expanded edition, 1998; IUP p.b., 1998); ANGELICA’S
GROTTO (Carroll and Graf, 2001).
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