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            Cleveland—home of Republic Steel and Case Western Reserve—divided by a stretch of
 Rapid Transit tracks through flat lands littered
 with abandoned buildings, beer bottles and
 appliances, the Cuyahoga—
 decaying boundary between East and West.
 On Saturdays, our pockets heavy with change,we boarded the train and rode West, Pam and I,
 tempted but never daring to cross water
 or pass downtown, the Terminal Tower—
 a buoy sticking up in an ocean of smog.
 Our parents, professionals preferring the integrated suburbs East of the city—
 proof of educated, open-minds—settled
 on tree-lined streets and pointed to the naked yards
 of our western neighbors, to Nativity scenes
 still standing in Spring and said “See?”
 Later, smoking pot under the watchful eyes of Shawn Cassidy and Peter Frampton—posters
 pasted on the walls of her attic suite—
 Pam made prank calls to Josh, a Jewish boy,
 and I confessed a fascination with
 steel workers, welders and boys with primed cars.
 Jamie was one, his father sole proprietor of a junkyard just west of the tracks. Jamie—
 scrappy and thin but with fingers magic
 when caressing the keys of our Steinway
 and a smile like a prize lure underwater, shivering.
 I married a black man and Pam married Mike, a blue-collar boy. Weekends, we pack babies in cars
 and cross bridges. The river wreathes round the Terminal
 and between us, tagging the change—a distance
 admitted by fewer visits and manifest in
 the loose-fingered way Mike shakes my husband’s hand.
   
   
 Wi de ina de same boat—“Toys-R-Us,”ah so de sign seh . . .
 Nuh haffi have no pretty-pretty degree
 fi figure hit out, or fi wuk ya, needa.
 All mi wan is fi dem fi stop suck een fi dem mauga belly an squeeze dem selves
 ina sum cookie cutta shape
 “De Maan” press down pon dem soft, doughy flesh.
 Een jus’ wind wi up an’ set wi loose,forcing three thirty-five an’ lunch-time
 cut short an’ minute past closing fi talk bout
 company policy an’ use of de phone.
 Mi seh ‘im nuh have nuh right to treat dem so.Hell, dem a ‘im very best customah—
 spend dem money pon ‘im cheap, plastic shit—
 baby doll and formula dem cyan even afford.
 Still, de bwoy dem play de number Friday eveningand de women—Likkle Miss Makeup—beg fi service
 from relaxers, fade cream an’ hot comb pon Sattaday,
 den waste wha’ lef’ pon 1-800-PSYCHIC.
 Dem mek mi look bad, mon. All mi want is fi dem fi pull up dem pant,trade dem Air-Jordon-state-of-de-art shoe
 fi some razor-sharp seam and combat boot—
 military starch, like deh G. I. Joe dem—
 but when de position open up begging fi experience, dem jus’ a dig in dem tick, rubba heel
 an’ like de animal wha’ dem compared to,
 refuse fi move—stupid fool dem.
 Dem stand back an’ let some high color,pretty-pretty college bwoy—straight nose, stiff spine—
 come an’ tek way de job dem can do fi dem self—
 dis go ya so an’ dat go deh so.
 A wi walk roun’ an’ show dem how fi play de game— bicycle and stroller, big ticket item;
 action figure, aisle nine; Sega, aisle two . . .
 Mi seh, “Gi mi de money, an’ de tikle too.”
 De day done but ‘im hug wi paycheck,try an’ squeeze ten extra minute out of wi—
 point ‘pon de long, sticky stretch of chewing gum
 stuck pon de floor an say, “Do me a favor . . . “
 Mi tell ‘im, “Wi nuh paid fi clean floor,” but dem hop-to— puppet on a string—looking fi few cent more,
 dem line up like domino an’ skin a dem teet.
 Dem noh understan’—if one go down, dem all go down.
 If dem jus’ shut dem big, tick lip,an’ keep de system fi dem self, but no, dem jus’ play
 dat push-button recording, over an’ over—
 “Yes suh, no suh” an’ “Mi do it right away, suh.”   
   
 We’re all in the same boat—“Toys-R-Us”—that’s what the sign says.
 Don’t need no fancy degree to figure it out
 or to work here, either.
 All I want is for them to stop sucking in their meager bellies and squeezing themselves
 into some cookie cutter shape
 “The Man” presses down into their soft, doughy flesh.
 He just winds us up and sets us loose,forcing three thirty-five and lunch-time
 cut short and minutes past closing to talk about
 company policy and use of the phone.
 I say he has no right to treat them that way.Hell, they’re his very best customers—
 spend their hard-earned money on his cheap, plastic shit—
 baby dolls and formula they can’t even afford!
 Still, the boys play the numbers Friday eveningand the women—Little Miss Make-ups—beg
 the services of relaxers, fade creams and hot combs
 on Saturday, then waste what’s left on 1-800-PSYCHIC.
 They make me look bad, man. All I want is for them to pull up their pants and trade those Air-Jordon-state-of-the-art shoes
 for razor-sharp seams and combat boots—
 military starch, like the G. I. Joes—
 But, when the position opens up begging for experience, they dig in their thick, rubber heels,
 and like the animals they’ve been likened to,
 refuse to move—stupid fools.
 They stand back and let some high color,pretty-pretty college boy—straight nose, stiff spine—
 come and take the job they’re perfectly able
 to do themselves—this goes here and that goes there . . .
 Hell, he needs us—we teach them boy how to play the game—bicycle and stroller, big ticket items;
 action figures, aisle nine; Sega, aisle two . . .
 I say, “Give me the money, and the title, too.”
 We’ve done our time but he hugs our paychecks,tries to squeeze ten extra minutes out of us,
 points to the long, sticky stretch of chewing gum
 stuck on the floor and says, “Do me a favor . . .”
 I tell him, “We’re not paid to clean floors,” but they 
            hop-to— puppets on a string—looking for a few cents more,
 they line up like dominos, flashing their teeth.
 They don’t understand—if one goes down, they all go down.
 If they would just shut their big, thick lips and keep the system to themselves, but no, they just play
 that push-button recording, over and over—
 “Yes Sir, no Sir” and “I’ll do it right away, Sir.”   
   
 At night, struggling with the memory of how he camehanging from his father’s hand like a duffel bag,
 he creeps through the house searching
 the cupboards for something that isn’t there,
 as if what he craves will reveal itself
 in the corners behind cereal boxes and bags
 of rice, but food will not satisfy this
 hunger—deep, angry growl locked in a knot of
 teenage sinew, a pot of simmering broth—
 the longing for his mother—spicy,
 like acid he cannot digest.
 Sure that our drawers hold secrets, he sifts through collections of pens, paper, a dollar’s worth of
 change, but what he wants doesn’t reside in our house.
 Sadness comes in envelopes addressed to others
 in a stranger’s empty handwriting—bills, business,
 a birthday wish from a grandfather that isn’t his.
 No trace of the lazy loops and letters arching left he vaguely remembers. This woman, veiled
 in folds of distance, possesses the sacred
 spaces of our home, haunts his waking moments, plants
 me in my place—the target of his rage—his
 mother, halfway across the world, silent.
 Words written on scraps of notebook paper—crumpled
 sheets covered in black—give shape to this thing
 that floats, undefined—a cloud of brackish water—
 the humidity of held back tears, silent years
 gathering in a mass of shame he claims as his own.
 Like the necklace he borrows, lifted from the satin-lined spaces of my jewelry box—
 a gift from his father—fine gold chain
 too feminine to fit his muscular neck.
 A mother’s intuition—I know where to look,
 finding it wrapped around the chewed end of a pencil,
 tucked in the canvas corner of his backpack
 among crumbs—remnants that collect
 in the lonely recesses of pocket—
 a candy wrapper, letters from his girlfriend,
 the ragged remains of an apple.
   
   ©Ann Barrett |