CHANDRA is the X-ray telescope sent recently by Nasa into deep Space. It sends back astounding pictures, which can be seen and downloaded from this site. For instance, EO102-72 is a “supernova remnant in the Small Magellanic Cloud, a satellite galaxy of the Milky Way. This galaxy is 190,000 light years from Earth. E0102 -72, which is approximately a thousand years old, is believed to have resulted from the explosion of a massive star. Stretching across forty light years of space, the multi-million degree source resembles a flaming cosmic wheel.” In this Archipelago, see two of these images.

Back in Print. A brilliant idea: through the agency of the Authors Guild, books gone out of print are made available to readers by way of print-on-demand, with book orders filled on-line, by toll-free phone, or through Shakespeare & Co., NYC. In this set-up, authors establish the price; titles available are varied and often surprising.

Catbird Press publishes, among other notable books, a number by Czech writers in translation, including THE POEMS OF JAROSLAV SEIFERT; a garland of these poems appeared in Archipelago Vol. 2, No. 3. DAYLIGHT IN NIGHTCLUB INFERNO offers Czech fiction from the “post-Kundera generation,” including work by Daniela Fischerová. Her “A Letter to President Eisenhower,” appears in Vol. 3, No. 1, from FINGERS POINTING SOMEWHERE ELSE, just published. Robert Wechsler, publisher of Catbird, has written an interesting book-length essay, WITHOUT A STAGE; THE ART OF LITERARY TRANSLATION; worth reading.

The Lilliput Press is an Irish publisher founded in 1984 by Antony Farrell. Some 150 titles have appeared under its imprint: art and architecture, autobiography and memoir, biography and history, ecology and environmentalism, essays and literary criticism, philosophy, current affairs and popular culture, fiction, drama and poetry – all broadly focused on Irish themes. Since 1985 they have brought out four volumes of the essays of the late Hubert Butler. Hubert Butler’s “The Artukovitch File” appears, with their permission, in Archipelago, Vol. 1, No. 2.

McPherson & Co publishes such writers as the fascinating Mary Butts (THE TAVERNER NOVELS), Anna Maria Ortese (A MUSIC BEHIND THE WALL, Selected Stories Vol. 2), and the performance artist Carolee Schneeman. A beautiful story by Ortese, “The Great Street,” appeared in our inaugural issue, and the writer’s testament, “Where Time Is Another,” appeared in Archipelago Vol. 2, No. 4.

Online Originals is an internet publisher of literature who take the position, one we find ourselves much in agreement with, that “Conventional book publishing has changed dramatically in recent years. Most of the world’s publishers are now owned by a handful of media conglomerates, ruled in turn by their finance and marketing departments. To guarantee high profits, they tend to accept manuscripts only by only celebrity writers whose output conforms to the conventional mainstream market. ... We believe that the Internet is the way forward for all kinds of publishing. But for the benefit of our authors, we do not prevent them also publishing printed versions of their works at a later date.” They deliver “book-like” texts by e-mail.

Station Hill Press is a non-profit publisher run by the poet George Quasha. They publish writers of serious and surrealist bent, as well as very fine poetry and fiction. Among their writers are Maurice Blanchot and Spencer Holst (whose “The Zebra Storyteller” appears in Vol. 3, No. 1). Maria Negroni, whose work appeared in Archipelago, Vol. 1, No. 1 and Vol. 2, No. 4, is the author of a beautiful work in poetry and prose, ISLANDIA, which they will publish this year, using print-on-demand; a noteworthy work of literature brought out by an interesting development in publishing technology.

Salmon Poetry lives in County Clare, Ireland. The editor, Jessie Lendennie, is pleased to publish not only her countrymen, including, she tells us, the largest list of women poets of any Irish publisher, but also Alaskan poets, among whom are several old friends of ours. She wrote to say she liked our “The Repetition of Their Days,” Vol. 2, No.3.

Sun & Moon Press is a fine, serious, literary press with a long backlist. They publish classics as well as contemporary fiction and poetry; writers and poets such as Arkadii Dragomoschenko (astonishing Russian poet), Paul Celan, Harry Matthews, Djuna Barnes, Paul Auster, Russell Banks. They will publish Maria Negroni’s LA JAULA BAJO EL TRAPO/CAGE UNDER COVER, tr. Anne Twitty, in a Spanish-English edition; a selection appeared in Archipelago, Vol. 2, No. 4.

Turtle Point Press. This intelligent press, led by Jonathon Rabinowitz, Helen Marx, and Jeanette Watson, is reviving several books by the marvelous Iris Origo, including her LEOPARDI: A STUDY IN SOLITUDE. Another necessary book published here is Hannah Green’s profound THE DEAD OF THE HOUSE. Jeanette Watson’s Books & Co. News is posted, as well. (An exerpt from Lynne Tillman’s BOOKSTORE, about Watson and Books & Co., once one of the cultural resources of Manhattan, appears in this issue.)

<i>iola</i> . This perfectly eccentric site is like the dinner party of artists, thinkers, above all, talkers you want regularly to be invited to. Its host-redactor is Robbin Murphy, who is worth looking up. Of particular delight: The Little Window.

Kamera –  came to us via the Richmond Review and is its pictorial mirror-image. Lively, hip, devoted to the photographic arts, pictures both still and moving, with features and reviews of movies and exhibits currently on in Britain.

Octavo  is a digital publisher committed to conserving books, manuscripts, and antiquarian printed materials via digital tools and formats. They make original works available to readers and book lovers through partnerships with libraries, individuals and institutions. As a sample, they offer a PDF download of William Shakespeare Poems. We are always pleased when web publishers use PDF files, as we do for our Download edition.

The Private Library. A lovely surprise hidden behind a wall of chinoiserie, “Providing Services to Bibliophiles Since 1980.” Kurt Thometz offers guidance on the development of collections, cataloging, organizing library software, conservation, and appraisals. “The Well Dressed Bibliophile” collects marvelous interviews with, portraits of Albert Murray, John Waters, Diana Vreeland, Fran Liebowitz, among others.

Work in Regress. This vertiginous site is by Peteris Cedrins, author of The Pentralium, an excerpt of which appears in this issue. Here also are two images of dark, thrilling paintings by Inguna Liepa; descent into the psyche.

The Barcelona Review, Jill Adams, Editor. A fine, multi-lingual (English, Castilian, Catalan) offering published in Catalonia by a multi-national group. Intelligent editing; interesting reading of younger writers from Europe and America.

Big Bridge.  Edited by Michael Rothenberg, editor of OVERTIME, selected poems of Philip Whalen (Penguin, 1999), and Wanda Phipps, who bring an open-armed, ’60s generosity to this “webzine.” “We think walls are good for keeping out the cold and rain,” they write: “They’re useless in the creation and propagation of art.” Big Bridge Press publishes chapbooks and handsome botannica.

The Cortland Review.  Established in 1997, this publication offers such poets as Charles Simic, Robert Pinsky, Henry Taylor, Mark Doty, Robert Creeley, Mark Jarman, Lloyd Schwartz, Neal Bowers, R.T. Smith, John Kinsella. All poetry and most fiction appear in Real Audio format. They publish in February, May, August, and November, with Monthly features.

George Meyers Jr.’s LitKit bills itself as a “non-commercial zine and archive” and “a larkabout for readers with brains, and for writers with lightbulbs blazing in their heads.” That’s close enough; it’s an experience

Jacket was founded and is edited by John Tranter, a Australian poet whose work is published often in the TLS. “For more than thirty years he has been at the forefront of the new poetry, questioning and extending its procedures.” In this quarterly literary journal he publishes the work of other writers generously. A new collection of his that should be read, LATE NIGHT RADIO, is published by Polygon & Edinburgh University Press. It can be ordered there (tel. 0131 650 8436), or through Columbia University Press.

London Review of Books.  One of the few reviews we read cover to cover; published on paper every two weeks and worth subscribing to. The on-line edition offers a generous selection, including a recent review by Iain Sinclair of James Sallis, a writer we’ve admired for some years. Among Sallis’ talents are a series of superb novels passing as detective stories: THE LONG-LEGGED FLY, BLACK HORNET, MOTH, EYE OF THE CRICKET. He also translated Raymond Queneau’s ST. GLINGLIN.

The Richmond Review received approving notice (along with Archipelago) in the TLS. Its staff is drawn from about twenty-five young person-about-London-publishing. The founding editor, Steven Kelly, is the author of THE WAR ARTIST, a chilling moral thriller about a man called Charles Monk, an artist who “only during wartime feels truly alive.” It was just published in the U.K. by Simon & Schuster.

Renditions. A magazine of translation, from the University of Hong Kong, Centre for Translation, edited by Eva Hung, whose poems appeared in Archipelago, Vol 3, No. 2.

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